French 1848-1903 Paul Gauguin Art Locations (born June 7, 1848, Paris, France ?? died May 8, 1903, Atuona, Hiva Oa, Marquesas Islands, French Polynesia) French painter, sculptor, and printmaker. He spent his childhood in Lima (his mother was a Peruvian Creole). From c. 1872 to 1883 he was a successful stockbroker in Paris. He met Camille Pissarro about 1875, and he exhibited several times with the Impressionists. Disillusioned with bourgeois materialism, in 1886 he moved to Pont-Aven, Brittany, where he became the central figure of a group of artists known as the Pont-Aven school. Gauguin coined the term Synthetism to describe his style during this period, referring to the synthesis of his paintings formal elements with the idea or emotion they conveyed. Late in October 1888 Gauguin traveled to Arles, in the south of France, to stay with Vincent van Gogh. The style of the two men work from this period has been classified as Post-Impressionist because it shows an individual, personal development of Impressionism use of colour, brushstroke, and nontraditional subject matter. Increasingly focused on rejecting the materialism of contemporary culture in favour of a more spiritual, unfettered lifestyle, in 1891 he moved to Tahiti. His works became open protests against materialism. He was an influential innovator; Fauvism owed much to his use of colour, and he inspired Pablo Picasso and the development of Cubism.   Related Paintings of Paul Gauguin :. | Afternoon Rest, Siesta | View of Pont-Aven from Lezaven | Where do we come form (mk07) | Woman Holdinga Fruit | Where are we going (mk07) |
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Felix de Vigne
(16 March 1806 - 5 December 1862) was a Belgian painter. De Vinge was a history painter, engraver, art historian, and instructor at the Royal Academy of Fine Arts (Ghent). In 1847 he published Recherches historiques sur les costumes civils et militaires, an illustrated compendium of the flags, shields and costumes of medieval guilds and military groups. He was the brother of sculptor Pieter De Vigne (1812-1877), father of Brussels architect Edmond De Vinge (1841-1918), and the stepfather of painter Jules Breton.
Josip Racic
(1885 - 1908) was a Croatian painter in the early 20th century. Although he died very young (he was only 23), and his work was mostly created when a student, he is one of the best known of the modern Croatian painters. Today, Račić is regarded as one of the most important representatives of Croatian modern painting. He studied lithography in Zagreb, and 1904 he went to Vienna and Munich, where he studied for a year at the school of the Slovene painter and teacher Anton Ažbe, followed by 3 years at the prestigious Academy of Arts. There, Racic, along with Oskar Herman, Vladimir Becić and Miroslav Kraljević formed the group known as the Croatian School. In 1908, he went to Paris where he painted a series of watercolors and oils depicting Parisian bridges, avenues and parks. He died of a gunshot wound in a Paris hotel room in June 1908, having committed suicide. Josip Račić is one of the founders of modern Croatian art, the first to bring the concept of self-awareness and artistic integrity to his life and works, "pure painting", as he called it. A particular feature of his paintings is the strong dark realms of human spirituality. A retrospective of his work was held in the Modern Gallery in Zagreb and Dubrovnik in 2008-2009, to mark the 100th anniversary of the artist's death.
Bischoff, Franz
Austrian, practiced mainly in America, 1864-1929 was an American artist known primarily for his beautiful floral paintings and California landscapes. He was born in Bomen, Austria on January 9, 1864 and as a young teenager immigrated to the United States where he became a naturalized citizen. While in Europe, his early training was focused upon applied design, watercolor and ceramic decorations.After having lived and worked in New York, Fostoria, Ohio and Dearborn, Michigan, Franz Bischoff decided to visit California in 1900 and ultimately chose to settle in Los Angeles in 1906. Shortly after arriving, he started making arrangements to design and build a large Italian Renaissance style home in Pasadena that also became his studio. This landmark home was completed in 1908. Inspired by the California countryside, Bischoff set attempted to capture the area's brilliant light and diverse landscapes. Spending less time with ceramic painting, Bischoff painted local farms, fishing wharfs, and coastal landscapes. Recognized during his career for use of color and vivid composition, his paintings always displayed reverence for nature.